Saturday, December 18, 2010

Salon Portable Shampoo Sink



Roma, la teca di Richard Meier che racchiude l'Ara Pacis, sommo monumento di romanità, oggi oggetto di costante attacco da parte della giunta capitolina, ed in primo luogo dal nefasto comportamento contro di essa repeatedly perpetrated by its first citizen (photo by Henry Mercatali)


MANAGEMENT FROM BORDELLO
Italy and its cultural heritage
- l 'event' Dany "Ara Pacis



Over here as the most prestigious sculptural monument to the art of ancient Rome has been reduced to
saloon car dealership
Below: one of the many extraordinary bas-reliefs that decorate the base of
most ancient, old Imperial (photo by Henry Mercatali)



bypassing in a questionable way without too much advertising and the agencies responsible for protection (Superintendent and Departments), the mayor of Rome has in fact allowed the project " Dany "that the enterprising and unscrupulous friend Stephen Maccagnani which had devised yet another and this time really deadly attack on the culture of our country. This commercial project was to use the prestigious monument of the Roman community, Italian and world, the Ara Pacis, totally and exclusively for personal purposes. Indeed, in his capacity as entrepreneur Belumbury rampant, very Italian company (despite its name from the Anglo-Saxon sound), which produces small cars, "green", just like Danny, he has managed to place two of its small cars in the new case meieriana, sculptural monument right in front of that, perhaps more than any other, represents the Roman art in the world, made of marble bas-reliefs of sublime bill, attracting tourists very heavy, and therefore also enable virtuous economic processes.

meieriana Interior view of the new case, ordered by the junta veltroniana, a rare example of good modern architecture Capitoline (photo by Henry Mercatali)


After what had happened to the "shrine" by Richard Meier (the famous American architect of the Roman project called petitioner, as well as of many other museums in the world, including the Paul Getty Museum in Los Angeles) does not Alemanno soon became the mayor of Rome (which was a matter of a real promise of demolition), after what has been learned from the newspapers about the successful growth of parentopoli, around his own person, now is this just another false step, able to report serious limits for the exercise of his public function, but also a failure, all Italian, to think out the real problems that afflict the capacity at this time growth.

At this rate, believing the economy to do well, we prepare to dismantle its main pillars, which include art in tourism that is full and it tightly binds

Rome, December 2010

Henry Mercatali

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